Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.  Related Paintings of Gustav Klimt :. | hoppet | kvinnoportratt | Death and Life (mk20) | adam and eve | The golden knight |
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David Teniers
Belgian 1610-1690 David Teniers Gallery Flemish painter. His father, also named David Teniers (1582 ?C 1649), was a painter of primarily religious subjects. The younger Teniers was highly prolific and is best known for his genre scenes of peasant life, many of which were used for tapestry designs in the 18th century. He was brilliant at handling crowd scenes in an open landscape and adept at characterizing his figures with a warm, human, and often humorous touch. As court painter to the archduke Leopold William, he also made many small-scale copies of paintings in the archduke collection; engraved and published as Theatrum Pictorium (1660), they constitute a valuable source as a pictorial inventory of a great 17th-century collection.
Bryson Burroughs
1869-1934
Ferdinand von Rayski
1806-1890 was a German painter noted for his portraits. Rayski was born in 1806 in Pegau. From 1816 to 1821 he studied drawing under Traugott Faber at the Freimaurerinstitut in Dresden and from 1823 to 1825 studied at Kunstakademie in Dusseldorf. He began his career as a professional artist in 1829, painting portraits of his noble relatives in Hannover and Silesia. From 1831 to 1834 he lived in Dresden, where he received numerous portrait commissions. He traveled to Paris in 1834-35, and was influenced by the works of Delacroix, Gericault and Gros. Rayski gained a reputation as a distinguished portrait painter, but also produced animal and hunting scenes, as well as, yet less frequently, military, historical and mythological paintings.